11/30/2023 0 Comments 60s space age jewelry fashion![]() Lagerstöm was a silversmith during the in the late 1960. ![]() This ring designed by Swedish designer Siv Lagerstöm, born in 1935. Plastics were appreciated as materials in their own right, however, and as so often with major shifts in design or taste, it was a combination of different social factors that made plastics such as Bakelite significant in the jewelry of the Art Deco period and subsequent years. Before long, they were used to imitate various types of organic matter, from coral to tortoiseshell. The creative uses of plastics were endless. But acrylic jewelry made a comeback in the 1980s when garish, artificial-looking neon-colored pieces came into fashion. At the same time, geometric Space Age fashion by haute couture.Ĭostume and “junk” jewelry fell out of favor in the ’70s, even as Lucite was used in disco platform shoes. Mass-produced plastic jewelry was all the rage among the trendy, as Lucite was turned into fake-looking flower pins, as well as bracelets made of mahjong tiles. In the early ’60s, the concept of disposable culture became something to celebrate, as seen in the cheap mod fashions. Hard, water-resistant, and lightweight, Lucite can be carved and polished, and it is easy to wear. In its pure form, genuine Lucite is translucent, resembling glass or rock crystal, but it can be dyed in a wide range of colors and opacity, making it the perfect material for bold blocks. Less expensive to produce than Bakelite, Galalith, and Catalin and more chemically stable than celluloid, Lucite made these earlier jewelry plastics obsolete. the clear acrylic plastic branded as Lucite became a wildly popular material for costume jewelry in the 1940s and ‘50s. Lucit was a plastic that was first manufactured in the 1930s as a protective coating or safety bonding for glass, and replaced glass in World War II Spitfire Fighter Plane canopies. The discovery by scientists that cellulose could be extracted and then reconstituted into a substance that was malleable when liquid but hard once set was a breakthrough, with far-reaching implications for jewelry production, and society, that were unimaginable at the time. The earliest plastics were discovered in the mid-19th century, and were made from cellulose, the natural fiber of plants. He will always be remembered for his innovations in design across all channels, never one to stifle his creativity and imagination.But by far the most revolutionary of the modern materials to be invented, and the most influential on the development of true costume jewelry, were the plastics. He never stopped working and enjoyed his lavish lifestyle and successful business ventures. He said “I’ve always done what I wanted because I’ve never had a boss.”Ĭardin continued designing up until his death in 2020, at the age of 98. Cardin had no partners - he was the sole financier and business manager of all of his licensing. He established 500 sales outlets in France alone, and bought the Maxim’s company which sold luxury goods like foie gras and caviar. He contracted licenses for matches, sardine can labels, aprons, pickle jars and clothing by 1980. ![]() This space also helped to promote artistic talents in theatre, music, and other forms of art. He was eventually reinstated to the Chambre, but he ended up resigning in 1966 and showed his collections in his own venue, the Espace Cardin, which opened in 1971. ![]() Balenciaga was supportive and offered financial assistance for the duo.īecause of his futuristic designs, in 1969, NASA commissioned Cardin to create an interpretation of a spacesuit. She eventually became his wife, but not before they left the fashion house to set up their own Paris couture house in 1961. While working for Balenciaga, he met his coworker Jacqueline Barrière, who he began calling Coqueline. Balenciaga made him his first assistant and he took charge of his salon in Madrid. ![]() In 1951 when he was 25, Balenciaga offered him a job where he spent a decade learning Balenciaga’s masterful construction and cutting techniques. He worked there for 4 years, but he wanted to be able to construct the clothing. In 1948, he left for Paris to design at the Jeanne Lafaurie Couture House. While he was in college, he started designing men’s suits for a local tailor. He enjoyed designing but he left before taking his exams. He studied civil engineering, but he wanted to be a painter. What would the 1960s be without André Courrèges? He is best known for his mod Space Age designs, but his story began in the 1940s. ![]()
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